Masterclasses

2020-2021 (VIRTUAL EVENT)

Masterclass with Professor Daniel Pollack

District 3 Masterclass Overview

Master Teacher: Professor Daniel Pollack

Date: Sunday, March 7, 2021

Time: 3:00 PM

Submission Deadline: Sunday, February 21, 2021

Format: Virtual via Zoom

Host: Danielle Yi

Length of Master Class: 2 hours

Length of Lesson: 30 minutes per student; if more than 4 applications, the master teacher will choose 4 applicants

Students’ Qualification: Those who are studying with the members of CAPMT District 3 South Bay/Santa Monica Bay Chapter

Repertoire Guidelines

Students’ Level: Advanced

Suggested Repertoire (but not limited to):

1. Chopin - a movement of either of Chopin Sonata, Ballade #2 or #4 or Nocturnes

2. Schumann - Kinderscenen or Fantasy OP. 15 or Carnaval

3. Prokofiev - Sonatas either 3rd or 7th

4. Liszt - Funerailles, Mephisto Waltz, Consolations, Un Sospiro Concert Etude

5. Barber - Sonata

Fees

Lesson Fee: $100 per student

Auditors: CAPMT members

Auditors Fee: $0

Video Recording Instructions

  • Video does not need to be of professional quality as long as the image and audio are clear to the viewer.

  • Use landscape (horizontal) setting, not portrait (vertical) setting.

  • No strong light from a window or lamp should be in the background.

  • Video must show the student’s face (profile is acceptable) and hands at all times.

  • Video must be a single recording in one take, and must not be edited.

  • Video can be submitted by either (1) uploading a video file or (2) YouTube link. For all internet links, be sure to turn off all privacy settings.

  • If you upload via YouTube, select, “No, it’s not made for kids” for the “Audience” prompt and select, “Unlisted” for the “Visibility” prompt.

  • Applications will not be accepted for unviewable links.

  • Audio recordings will not be accepted.

Daniel Pollack Biography

Audiences across five continents – North America, Europe, Asia, South America and Africa — recognize the pianism of Daniel Pollack for its signature colors in sound, coupled with over-the-edge thrilling virtuosity, giving his performances an electrifying element that catches the imagination of concert audiences. Critics speak about “his astonishing pianism,” Washington Post; “his dramatic tension, poignant lyricism,” Diapason Magazine, Paris, France; and “his torrents of sound that turned feathery flurries of delicate sounds,” Los Angeles Times.

Pollack was recently featured at the 2016 St. Petersburg International Cultural Forum, Russia, a Festival of Festivals that attracted wide international attendance. Pollack was a guest speaker at the opening plenary session, participated on several panels that included Sergei Prokofiev’s grandson Gabriel Prokofiev, and gave the concluding concert, a solo recital, at the Mariinsky. He was also designated as an Honorary Cultural Ambassador to the Russian Federation.

Other career highlights include appearances during the White Nights Festival in St. Petersburg, Russia as soloist with conductor Valery Gergiev and the Mariinsky Orchestra and as soloist with such major international philharmonics as London’s Royal; Seoul, Korea; Moscow State Philharmonic, Russia; Hong Kong, China; Kiev Ukraine; Bogota, Colombia; Montevideo, Uruguay; and in the U.S., as soloist with the philharmonics of New York, Los Angeles, Baltimore, San Francisco, Minnesota, among numerous others.

Additionally, Pollack has performed solo recitals in such major music centers as London’s Royal Festival Hall; Vienna’s Musikverein; Amsterdam’s Concertgebouw; Buenos Aires’ Teatro Colon; Seoul’s Arts Center; Moscow’s Bolshoi Zal; New York’s Carnegie Hall; Beijing’s National Concert Hall; and Chicago’s Orchestra Hall.

Pollack is much in demand on international competition juries. He has participated several times on the International Tchaikovsky Piano Competition in Moscow as well as the Queen Elizabeth International Piano Competition in Brussels; Vladimir Horowitz, Kiev, Ukraine; Leeds, England; Maria Callas, Athens, Greece; Hamamatsu, Japan; UNISA in Pretoria, South Africa; Anton Rubinstein, Dresden, Germany; Prokofiev, St. Petersburg, Russia; and the Rachmaninoff in Moscow, among others.

Pollack has several recordings including: on Classical Records label, titled ‘Daniel Pollack in Moscow;’ on RCM label titled ‘COLORS’ ; a Grammy-nominated recording for Naxos, the complete solo piano works of Samuel Barber; an all-Chopin recital recorded in the Bolshoi Zal of the Philharmonic in St. Petersburg, Russia, released on Sony; as well as two ‘crossover’ recordings of popular short romantic works on Four Winds label.

Pollack was also featured in a profile in the New York Times headlined “Piano Man, Winning Russian Hearts and Minds” in which it was quoted, “he is now a legend in Russia.” And in the International New York Times, it was headlined, “A Musical ‘love affair’ with Russia.”

Pollack first garnered the music world’s attention when he became a prizewinner in the International Tchaikovsky Piano Competition in Moscow. Following, he concertized throughout the former Soviet Union and became the first American to record for the Melodya label, recordings that sold in the millions throughout the former Soviet Union over several decades, and continue to be on the market in Russia today. Many of these recordings were re-issued worldwide under several different labels, most recently on Cambria, distributed worldwide, entitled, “The Legendary Moscow Recitals” recordings of Pollack’s early years.

Pollack has held several visiting artist faculty positions including The Juilliard School, Columbia University and Yale’s School of Music. Pollack is currently on the faculty of the Thornton School of Music, at the University of Southern California, Los Angeles.